In Black in Blues, Imani Perry reaches to the height of the sky and the depth of the ocean, casting the history of blue as one of both triumph and tragedy, possibility and limitation.

Art collectors at an auction of the Robert Von Hirsch fine art collection at Sotheby's Bond Street location in London (1978) ...

Work by artists impacted by last month’s fires, Joseph Beuys’s reforestation project, Alice Coltrane’s rippling influence, ...

The US Copyright Office issued its latest findings on the controversial question of who owns artworks created using ...

Those empowered to supervise large swaths of humanity too often dehumanize us, whether through the levers of state, financial ...

In a convulsing world with dwindling digital spaces for connection, can Relational Art offer lessons on building community ...

Stout achieved an ascetic sensuality in his geometric abstractions, a paradoxical synthesis of restraint and hedonism that is ...

Francesca Du Brock, chief curator of the Anchorage Museum, has been named the winner of the 2025 Marica Vilcek Prize in Art ...

The opening of the Bennett Schmidt Pavilion at the Muskegon Museum of Art (MMA) has almost doubled the size of the century-old Midwestern art institution. The new expansion is named for Steven ...

It’s clear that this exhibition was put together by a bunch of absolute nerds — and that’s a compliment of the highest order.

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The exhibition-as-memoir of Linda Griggs, a group show as history lesson, Odili Donald Odita’s vibrant abstractions, and more.